Parsons Journal for Information Mapping: A Quarterly Publication on Knowledge Visualization Theory and Practice

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Volume I, Issue 2

This quarter's issue of the Parsons Journal for Information Mapping (PJIM) brings another wide variety of innovative, creative, and unique projects completed by our worldwide group of contributors. We showcase two interactive projects along with two well-researched and provoking essays.

While this marks our second issue our Editorial Board has seen a vast majority of interest in the concept of globalization and its affect on social interactions among the world's inhabitants. The projects and essays in this issue bring forth various examples of global, local, geospatial mapping, and social connectivity. We thank all of our contributors for their excellent work and proudly present their successes to our subscribers.

— Brian Willison, Publisher, Parsons Journal for Information Mapping

The R-Shief Initiative: Proof of Concept

Laila Shereen Sakr, MFA

The R-Shief Initiative will build a working environment among scholars, librarians, policymakers, artists, and technical experts by producing a multilingual website that integrates existing open-source software in order to archive 21st century knowledge production...

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Abstract

The R-Shief Initiative will build a working environment among scholars, librarians, policymakers, artists, and technical experts by producing a multilingual website that integrates existing open-source software in order to archive 21st century knowledge production on the Middle East and its Diaspora. Its initial archiving effort will specifically focus on Gaza, Iraq, and Lebanon. These conflict and post-conflict sites are generating a new Diaspora and engaging transnational researchers who contribute a situated knowledge. This knowledge offers a significant scope of analysis, particularly in a context where "Arab" is poorly understood. In response to the dominance of English-language media, R-Shief's accessibility to speakers of various languages (initially Arabic and English, and later Turkish, Hebrew and Farsi) initiates transformational change in information sharing and becomes meaningful to various communities and disciplines, ultimately affecting the terms on which cultures interact. R-Shief's contribution to the humanities includes the creation of a forum for information sharing, using a participatory design and a sustainable process of integrating new software mixes.

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Biography

Laila Shereen Sakr is an Egyptian-American poet, graphic designer, VJ, community organizer, and digital artist. Her current project, R-Shief, is a multilingual website that integrates open-source software in order to archive 21st century knowledge production on the Middle East and its Diaspora. She is also experimenting with a conceptual art project, the VJ Um Amel Video Blog. See www.lailashereen.com.

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Project Metadata

Project Title: The R-Shief Initiative: Proof of Concept

Keywords: archive, diaspora, middle east, arabic, transnational, mashup, r-shief, gaza, lebanon, Iraq

Year of Project: January 2008-July 2009 (beta launch), final launch

URL: http://r-shief.org

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What is Global and What is Local? A Theoretical Discussion Around Globalization

Jean-Sébastien Guy, Ph.D.

This article develops a new sociological understanding of the difference between global and local relating to the phenomena of globalization. Globalization itself is redefined as one of society's self-description insofar as, following Niklas Luhmann's theory...

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Abstract

This article develops a new sociological understanding of the difference between global and local relating to the phenomena of globalization. Globalization itself is redefined as one of society's self-description insofar as, following Niklas Luhmann's theory, society is conceived as a cognitive system that can only handle information (about the world, about itself) only through its own specific operation (communication), so that globalization affects society solely when the later communicates about the former. This effectively happens, it is argued, because communications about globalization convey an account of society's current state, i.e. a description of society within society, hence fulfilling the system's need for self-knowledge. The global value then coincides with the content of the particular self-description that globalization is, whereas the local value corresponds to the content of all other self-descriptions as seen from the previous perspective. Global and local are not spatial structures (levels, scales, places, distances, etc.), but different representations of space competing each other in a process to determine within society the reality that society is. In the second part of the article, the ideas of Roland Robertson about globalization are reinterpreted so as to provide support to this new understanding of the difference global/local. Robertson distinguished four images of world-order which can be taken as equivalent to four self-descriptions of society. Globalization is precisely one of them. Contrasts between images of world-order as imagined by Robertson himself can thus illuminate what the global and the local have in common and how they diverge from each other.

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Biography

Jean-Sébastien Guy teaches sociological theory in the Department of Sociology and Social Anthropology at Dalhousie University. He has a special interest in Niklas Luhmann's systems theory. He has published a book (in French) offering a new theoretical interpretation of globalization entitled L'idée de mondialisation (Liber, Montreal, 2007).

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Project Metadata

Project Title: What is Global and What is Local? A Theoretical Discussion Around Globalization

Keywords: globalization, distinction global/local, Niklas Luhmann, Roland Robertson, self-description, image of world order

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Revising the Map: Modulated Mapping and The Spatial Interface

Jeremy Hight, MFA

The map can be active, malleable, open source fed, and even, in a sense, intelligent and able to adapt. The possibility also exists for this map to have a function that based on key words will search databases on-line to find maps, animations, histories...

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Abstract

The map can be active, malleable, open source fed, and even, in a sense, intelligent and able to adapt. The possibility also exists for this map to have a function that based on key words will search databases on-line to find maps, animations, histories and stories etc to place within it for your study and engagement. The map is thus a platform and yet is active. Community is possible as people can communicate graphically in works placed on the map and in building mode in the tool. All the tropes of locative media are to be in a mapping system of channels of augmentation and a spatial net. The software by design will allow development on the map and communication like programs such as second life but in mapping itself.

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Biography

Jeremy Hight has published over 20 essays in various fields of technology, locative media, mapping and critical theory. He created locative narrative. He is co-editing a special issue of Leonardo on immersive visualization. He is co-curating a series of exhibitions of pioneers in art and technology beginning with Vuk Cosic. He recently presented a key note speech on reconsidering maps and spaces at In Transition.

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Project Metadata

Project Title: Revising the Map: Modulated Mapping and The Spatial Interface

Keywords: map, mapping, space, modulate, measure, locative, augmentation, social network, semiotics

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Bronx Rhymes — An Urban Multimedia Project

Claudia Bernett, MFA; Maria Ioveva, MFA

Bronx Rhymes commemorates the early days of hip-hop and renews its cultural significance by inviting a new generation of lyricists to reinvigorate its rich history. An ongoing series of Bronx Rhymes posters are installed at iconic hip-hop landmarks throughout...

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Abstract

Bronx Rhymes commemorates the early days of hip-hop and renews its cultural significance by inviting a new generation of lyricists to reinvigorate its rich history. An ongoing series of Bronx Rhymes posters are installed at iconic hip-hop landmarks throughout the South Bronx. Each poster describes the historical significance of that location in the form of a rhyme, and invites passersby to text their own rhymes in response. Submissions appear on the BronxRhymes.org website along with the original rhyme, generating a continually evolving community composition.

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Biographies

Claudia Bernett is an artist and designer living and working in New York City. Since receiving her MFA from Parsons School of Design in 2000, she has been creating work that operates at the intersection of the digital and physical realms, and explores cognitive responses to human-computer interaction. She also works as an interaction designer in the Mobile and Emerging Platforms group at R/GA where she leads the user interface development on a wide variety of digital tools, toys, and experiences.

Maria Ioveva is an interaction designer and motion graphics artist. Her interest in urban narratives led her to create "after-images" of the city - a series of animated dreamscapes in which past, present and fantasy intertwine. In previous pieces, she has re-imagined classic New York silhouettes such as the Brooklyn water towers and the abandoned elevated High Line rail line. She received an MFA from Parsons School of Design in 2005, and currently works as a Senior Interaction Designer at R/GA for the Nike+ account.

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Project Metadata

Project Title: Bronx Rhymes — An Urban Multimedia Project

Keywords: Community, mapping, hip hop, history, music, mobile, participatory, social, tag, Bronx, New York

Year of Project: Launched in November 2008, active

URL: http://www.bronxrhymes.org

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Note from the Publisher

We always welcome feedback from our subscribers and contributors to help make the journal the best publication for the field of information, data, and knowledge visualization. Please do not hesitate to contact us with your thoughts.

— Brian Willison, Publisher, Parsons Journal for Information Mapping; Director, Parsons Institute for Information Mapping

PJIM is a publication of The Parsons Institute for Information Mapping

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