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PIIM PAPERS™

Wide open research initiatives allow PIIM staff to continuously explore myriad facets of information and knowledge visualization and its integration with our daily lives. Below is a compilation of our best work in this area.

PIIM PAPER 01 Part 3: A Visualization-Based Taxonomy for Information Representation: Identifying Images with Icon Schematics

— William Bevington

Introduction: This document is one of a series of web-available papers dealing with issues of visualization and information design. The initial document of this specific series — PIIM PAPER 01, Part 1 — contains a detailed introduction to: VT-CAD, A Visualization Based Objective Taxonomy of Informative Representations for the Classification, Analysis, and Design of Visualizations.

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PIIM PAPER 05: Models for Designing with Information: Cognizance & Aesthetic Oscillation

— William Bevington

Topical Introduction: The process of designing involves the conscious intention to create. This includes all aspects of communicating. Graphic design specifically involves the process of rendering tangible representations of things or ideas. Further, information design involves the creation of visually structured representations (utilizing consistent logic as to how content and other factors of the source are...

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PIIM PAPER 06: Models for Designing with Information: The Problem & Solution Quandary

— William Bevington

A solution to every problem? A supposition that pervades much of our educational and professional environment is the belief that every problem can be isolated and solved. This thinking process compels us to "solve the thing" and move onto evermore challenging problems. If this problem / solution approach were only to be found in our most logic-based undertakings, it might be justified; but the same formula has...

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PIIM PAPER 09: A Fabel of Æsthetics & Technology: With Observations on the State of Their Union & Commentary Regarding Their Offspring

— William Bevington

Once upon a time the King of the Five Senses, and the Queen of Insight had a beautiful daughter. They named her Æsthetics, but they called her Esther. Esther grew to be creative and engaging, sometimes serving and sometimes wishing to be served. She could be exotic or pragmatic; at turns wild or tame; emotional and stormy; or as placid as a deep forest pond. For her the senses were ablaze with the richness of...

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